Each week, we choose pieces that have been submitted to Penumbra that we want to recognize and showcase to the school through Penumbra Weekly. Below are this week's pieces!
After Zach Bryan, East Side of Sorrow
That blue couch became my favorite spot when the doctor
Would walk in. It was slightly behind the bed, so when he said
He was going to adjust her position, I didn’t have to see her as he
Turned my grandma on her side, and she groaned in pain and did
Her best to stay awake. I could sink into the corner and all
I would see was my grandpa comforting her at her bedside. He
Would put his fingers to her cheek as he always did, and I could
Picture them before I ever knew the blue couch. When you
Didn’t have to walk past front desk security if you were
Going to see your grandma. And back when the
Brown gazebo behind their brick house was the last
Place I would go before we got on the plane. When the thing
I looked forward to most about visiting was my brother and I
Playing pretend in their basement because they had
Foam swords that we could use as props. And I loved the game that
I would play with my grandma, called Mastermind, even if I was
Cheating by looking under the glass table to see if my guesses were good
And if the colors I chose matched hers. I never got away with it. So,
As my grandpa removes his hand from her cheek I remember that I
Am sitting on the blue couch, and I’m not in Chicago where we walked
Around their neighborhood, throwing rocks in the streams, for miles.
Instead, I strain my hearing trying to listen to Ken Jennings’s voice on
The TV, but the volume comes out of the remote, which is sitting on the
Hospital bed, so all I can hear is that the winner today is from Tulsa,
Oklahoma. I give up on the TV and instead look out of the windows onto the streets
Of Stamford below me. At least the windows span the length of the wall, and light
Streams in as the sun sinks lower in the sky, and silhouettes of buildings started
To emerge. The view of the Long Island Sound in the distance, the sun beamin’
Over the horizon as if it is saying its final goodbye. Soon, the harsh overhead light in
The room will be glaring as I eat dinner on the blue couch and watch her bed from
A distance. We say goodnight, turn the couch into a bed for my grandpa, and as I walk out the
Door, I look back out the window and feel thankful that at least her room isn’t facing east.
After E.E. Cummings
when i have received my last applause, and when
i look to the silhouettes of my final audience,
when my face no longer pales under the brilliance
of stage lights, and the curtain sinks to never again
cover my feet, i will ruin my eye makeup then
with weeps that paint black lines down my cheeks,
and i will think of the stage before bed for weeks
then dream of returning and dancing it all again.
I will be unhooked from my tutu and stripped
of the pins in my hair; my crown will fall off my head
and thud against carpeted floors. My shoes, torn
from my bleeding feet, ripped from my heart, and slipped
in a locked box, will collect dust, begging to be reborn
as together, helplessly, we can do nothing but lie dead.

Each week, we choose pieces that have been submitted to Penumbra that we want to recognize and showcase to the school through Penumbra Weekly. This week's pieces are the winners of our Fall Contest!
Upon viewing Thomas Roma's picture of a woman standing in a Brooklyn Courthouse hallway.
Forgive me for noticing beauty when defeat is in the air
The lithe woman's downcast eyes remind me of an abandoned amusement park I once drove by somewhere north of Cortland
Perhaps the dirty cop who painted dope on her son just walked on a mistrial.
The richly veined marble wall she leans against reminds me of one of those improvised, yet intricate maps of southern Africa drawn by one of King Leopold's men.
This photograph overall reminds me of a shot from an Antonioni film.
A well to do woman pins herself against a marble facade, somewhere in Rome.
She would've been waiting for her lover to take her to a dinner party or gallery opening.
But the Building would not have been a courthouse.
It must have been a bank or stock exchange.
And the women would not have been black
And the only injustice she would have known: beauty fades and me
The trees confess in whispers as they bleed,
Their crimson letters drift on ghostly swells;
The air grows sharp, a scythe to every need,
And I recall each ending: all too well.
The dusk arrives too soon, the daylight thins,
A hollow bell tolls softly in the dell;
The marrow of the year retreats within,
And grief takes root in shadows all too well.
A chill hand lingers where your warmth had been,
The harvest moon surveys what hearts won't tell;
What once was lush lies brittle, frail, and thin,
The soul remembers absence all too well.
So fall completes the circle, none dispel;
Its silence haunts the living all too well.
you leave fingerprints in indigo sighs,
pressing shadows into fragile skin-
violet bruises blooming like lilacs caught in late frost
you linger like dusk on water
soft at first touch, then sinking deep
staining my skin with soft wounds
absence smolders where I last felt your touch,
purple unraveling into embered gold
drowning in an ink spilled too deep to dim
you bruise me gentle,
then let me fade
slowly sucking out my color
you fall from my grasp–
I am a withering petal,
colors escaping into crinkles of nothingness
paralyzed in black and white
I chase your ephemeral shades of gold,
and I press deep into the purple,
where you remain beneath my skin
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